Sunday, December 22, 2019
The Synecdochic Motif in Sherwood Andersons Winesburg, Ohio
  The Synecdochic Motif in Winesburg, Ohio     The sum of the parts of the  vignettes of townsfolk of Winesburg, Ohio is greater than the whole novel.  Winesburg, too, is only one town in all of Ohio, which is one of a host of  states in the U.S. This magnification is at the heart of the novel, in which  synecdoche is the main lens through which Sherwood Anderson allows us to regard  the grotesques. This narrow aperture of perception does not compromise full  characterization, but instead forces the reader into searching for subtle  connections within and across the sketches. The opening story, Hands, launches  the titular synecdochic motif whose pairings Anderson systematically and  symmetrically deploys. Discounting the finalâ⬠¦show more contentâ⬠¦The paradox features an  impossible or illogical state of being for the hand, but one that exists  nonetheless. Anderson cues us to the paradoxs importance by showing Wing  Biddlebaum rubbing his hands together and looking up and down the road (5).  The gesture has little to d   o with his vision at the moment, but suggests that  the reader similarly look both ways when reading through the book and exercise  his depth perception. We take note of the perplexing admixture of human emotion  under the surface of a simple handshake: He put out his hand as though to greet  the younger man and then awkwardly drew it back again (141). The relationship  between the two menâ⬠¹that of a doctor greeting a dead patients sonâ⬠¹is summed up  by the handshake, a formalized mode of greeting in a situation that requires the  tact of more informal tactility. The ambivalence that meets a person when thrust  into society, of desiring intimacy but fearing the proximity, is the central  motivation of the grotesques, as voiced by an eighteen-year-old George Willard,  who later recants his vows with angry, forced aloofness: With all his heart he  wants to come close to some other human, touch someone with his hands, be  touched by the hand of anotherÃ
  He wants, most of al   l, understanding (145).      But such an understanding is difficult when the paradoxes reveal their  irreconcilable and incomprehensible origins. Insecure about his baldness, Wings  hands futilely    
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